Prince Charles (as in Eames) Chair

Normally I try to keep my entries pretty positive. There is so much negativity around these days, we don’t really need it in our design blogs. BUT, I can’t ignore my true feelings about this one.
I keep seeing this bastardizationironic re-imagining of the classic Fiberglass Shell Chairs and I am just not quite able to embrace the idea. I’m all for collaborations and interpretations but this one I can’t be friendly to. I think it’s ugly.
What do you think? Have you seen these? Do you like them? Or does it feel like someone just stabbed the Shell chair in the back and ran off with the money?
Discuss!
Modernica’s design studio has collaborated with artist Peter Shire to design the Prince Charles Chair based on the company’s Case Study Fiberglass shell chair and playfully named after the originator of the design, Charles Eames…The Prince Charles chair is an elegant and ironic juxtaposition – past and present. It is an innovative combination of two recognizable styles artfully embracing 300 years of furniture design into a single chair. This, along with the chair’s Queen Anne-like legs, which look like broken violin cut outs, prove opposites attract.
Prince Charles Shell Chair from Modernica – $359 to $469
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15 Responses to “Prince Charles (as in Eames) Chair”
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LOL, it looks like a chair sat on a violin. Not a big fan.
You’re right. Who wants to surround himself with ironic design? That’s like buying ironic records – and having to listen to them, too.
I completely agree. This design seems very forced. It’s one thing to blend styles within a space but to force such a ‘blend’ on a single piece especially such an iconic piece is unfortunate.
BK – Very true and well said!
I can’t remember where I first saw the shell chair with those legs, but it horrified me. I HATE IT.
I think part of the problem is the proportion. Visually it appears too heavily weighted to the bottom. I noticed the armchair version looks much more appropriate: http://www.modernica.net/index.php?target=products&product_id=287
I still hate it… but at least it is visually balanced
I don’t like it. The chair upsets me. I need some smelling salts.
April – Definitely true about the proportions being out of whack. The more I think about it, the more I wonder what was going through their heads when they ‘designed’ this thing. So bizarre.
We all agree. This isn’t just wrong, it’s bad design. Nothing new or original from base to seat. This is the peanut butter and pickled mayonnaise sandwich of chair design. And, at that price I’ll score a couple vintage authentic Eames chairs.
Cheers,
-B
I usually stay away from the negative as well, but I’ll chip in here to say that I’m not a fan of these. I will add that I always see a leaning toward the bizarre in conceptual design, but these are being mass marketed, so I’m a bit puzzled.
Its horrid and needs to be put out of its misery.
this is completely and utterly uncalled for. i wonder what we’d say about it if the eameses had designed it.
Liam – I don’t think they WOULD have designed it. I think it goes against the Eames philosophy, which can be summed up in Charles Eames own words: “Design depends largely on constraints”. The Prince Charles Chair is ephemeral, its constraints what exactly? It seems to have been made for the sake of irony only. Is that a good basis for design? I don’t think so.
Good design recognizes a need, and working within its constraints, meets that need. Does this particular concept serve any purpose other than to romanticize, and thus destroy, the original design whose success and permanence is due to its recognition of a universal need? If it does, I’d like to know what that purpose is.
The phrase “just because you can, doesn’t mean you should” comes to mind when I consider the Prince Charles Chair. It will be interesting to see if this design is still around 5, 10, even 20 years from now. I doubt it.
Wrong. Horrible. Blasphemous. Did I mention I hate it?
capree.
i predict this design won’t be in production next year, much less in five years. let’s at least hope so.
liam.